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<copyright>Copyright 2025 Matthew Gurewitsch</copyright>
<lastBuildDate>Sat, 06 Dec 2025 23:32:13 -0500</lastBuildDate>
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<description>Matthew Gurewitsch :: Writings</description>
<link>https://beyondcriticism.com</link>
<title>Matthew Gurewitsch :: Writings</title>
<managingEditor>matthew@beyondcriticism.com (Matthew Gurewitsch)</managingEditor>
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<title>Maurice Sendak's Macbeth</title>
<link>https://beyondcriticism.com/31138/maurice-sendak-macbeth</link>
<pubDate>Sat, 6 Dec 2025 09:00:00 EST</pubDate>
<description>Have you seen High Wire: Calder's Circus at 100 at the Whitney? If so, you'll know how hard it is to tear yourself away. Surprise! I was running late when I raced out the revolving door two weeks ago to catch the matinee of Arabella at the Met. Meant to...</description>
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<title>From the archive: Meistersinger</title>
<link>https://beyondcriticism.com/28728/from-the-archive-meistersinger</link>
<pubDate>Sat, 19 Jul 2025 09:00:00 EST</pubDate>
<description>Olaf Bär--Bär, pronounced bear, means bear--has come to the court of the art song like a folk tale's hero from afar. (Even the whiff of the Nordic forests in his name seems right.) Unknown, untried, scarcely regarded even by those who sent him from East...</description>
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<title>Review of I Knew a Man Who Knew Brahms</title>
<link>https://beyondcriticism.com/28657/i-knew-a-man-who-knew-brahms</link>
<pubDate>Sat, 28 Jun 2025 09:00:00 EST</pubDate>
<description>If you knew Stoki like Nancy knew Stoki! Still in her teens, Nancy Shear of Philadelphia began insinuating herself into the world of the Philadelphia Orchestra as single-mindedly as Eve Harrington, of "All About Eve" fame, insinuated herself into the...</description>
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<title>Round and round with Balanchine</title>
<link>https://beyondcriticism.com/28626/round-and-round-with-balanchine</link>
<pubDate>Mon, 9 Jun 2025 09:00:00 EST</pubDate>
<description>According to a hoary mantra, dance is the ephemeral art—not one of any number of ephemeral arts of performance, but the Platonic quintessence of the fleeting. The choreographer George Balanchine seems not to have expected his ballets to survive him for...</description>
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<title>But mad north-by-northwest</title>
<link>https://beyondcriticism.com/28606/but-mad-north-by-northwest</link>
<pubDate>Mon, 26 May 2025 09:00:00 EST</pubDate>
<description>VIENNA — The operatic cabinet of curiosities that is Vienna's Theater an der Wien came up with a potential beaut this season: the first Hamlet opera, originally performed in Venice in 1705, revived in Naples in 1711, and then in London (imagine!) in...</description>
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<title>'Eclectic NYCB' Lives up to Its Title</title>
<link>https://beyondcriticism.com/28604/eclectic-nycb-lives-up-to-its-title</link>
<pubDate>Mon, 26 May 2025 09:00:00 EST</pubDate>
<description>For flashes of Zen insight, George Balanchine's collected sayings rival or surpass Yogi Berra's. Did the founding choreographer of the New York City Ballet truly once propose that all ballets should be called Swan Lake because then they would all sell...</description>
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<title>In Amsterdam, Katie Mitchell's sci-fi makeover for Strauss's Frau ohne Schatten</title>
<link>https://beyondcriticism.com/28599/in-amsterdam-katie-mitchell-sci-fi-makeover-for</link>
<pubDate>Tue, 20 May 2025 09:00:00 EST</pubDate>
<description>AMSTERDAM — On April 23, the Dutch National Opera premiered a new production of Die Frau ohne Schatten, a work that always stretches a company to its limits. Originally planned for April 2020, the show was to have crowned Marc Albrecht's decade-long...</description>
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<title>Riccardo Muti and the Vienna Philharmonic at Carnegie Hall</title>
<link>https://beyondcriticism.com/28416/riccardo-muti-and-the-vienna-philharmonic</link>
<pubDate>Sat, 8 Mar 2025 09:00:00 EST</pubDate>
<description>NEW YORK — Who denies the nimbus of the Golden Hall of the Musikverein, home of the Vienna Philharmonic? Yet it's a truism among camp followers who hear the orchestra everywhere that the players never sound as good as they do at Carnegie Hall—something...</description>
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<title>Review of Time's Echo</title>
<link>https://beyondcriticism.com/28044/time-echo</link>
<pubDate>Wed, 4 Sep 2024 09:00:00 EST</pubDate>
<description>Deeper listening The music critic and cultural historian Jeremy Eichler, aged forty-nine, has been thinking about music and memory for a very long time. Two decades back, during a brief tenure as a stringer for The New York Times, he described an...</description>
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<title>Announcing my new Substack</title>
<link>https://beyondcriticism.com/28035/announcing-my-new-substack</link>
<pubDate>Tue, 3 Sep 2024 09:00:00 EST</pubDate>
<description>Dear Readers, Starting tomorrow, I'll be sharing personal stories and reflections on Substack, some recent, some going back many years. Rather than twist myself in knots trying to tell you what to expect, let me just encourage you to take look and see if...</description>
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<title>Keersmaeker's Bach, Tharp's Brel and Balanchine</title>
<link>https://beyondcriticism.com/27664/keersmaeker-bach-tharp-brel-and-balanchine</link>
<pubDate>Sat, 6 Apr 2024 09:00:00 EST</pubDate>
<description>Concurrently with the New York City Ballet season, Anne Teresa, Baroness De Keersmaeker, gave the North American premiere of her two-hour Goldberg Variations under the aegis of Dance Reflections, presented by Van Cleef &amp; Arpels. The work premiered in the...</description>
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<title>Brahms, Balanchine, and love in three-quarter time etc., plus a nod to Justin Peck</title>
<link>https://beyondcriticism.com/27663/brahms-balanchine-and-love-in-three-quarter-time</link>
<pubDate>Tue, 2 Apr 2024 09:00:00 EST</pubDate>
<description>Karinska's crucial contribution to the Balanchine corpus is especially so in the chamber-scaled Liebeslieder Walzer. Only four dancing couples appear. The first half is given over to glorified ballroom dances. Then the curtain falls briefly, the women...</description>
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<title>Busy, busy</title>
<link>https://beyondcriticism.com/27667/busy-busy</link>
<pubDate>Sat, 30 Mar 2024 09:00:00 EST</pubDate>
<description>Hello, friends! Except under exceptional circumstances, book reviewing is a cup I'd prefer to let pass. But in the last couple weeks, I've made the effort gladly on behalf of Jeremy Eichler's Time's Echo: The Second World War, the Holocaust, and the...</description>
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<title>Balanchine's Four Temperaments, Symphony in Three Movements</title>
<link>https://beyondcriticism.com/27662/balanchine-four-temperaments-symphony-in-three</link>
<pubDate>Fri, 29 Mar 2024 09:00:00 EST</pubDate>
<description>As its sole all-Balanchine program for the winter season, the New York City Ballet offered a diptych of The Four Temperaments (1946) and Liebeslieder Waltzer (1960), which is a diptych in its own right (we'll get to that). Symphony in Three Movements...</description>
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<title>Jerome Robbins in winter</title>
<link>https://beyondcriticism.com/27619/jerome-robbins-in-winter</link>
<pubDate>Sun, 17 Mar 2024 09:00:00 EST</pubDate>
<description>Keeping up with the dance scene in New York is hard enough when you live there. When your visits are sporadic, as mine have been since decamping from Manhattan to Maui thirteen years ago, it's impossible. In February, though, I hung around long enough...</description>
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