<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0">
<channel>
<copyright>Copyright 2013 Matthew Gurewitsch</copyright>
<lastBuildDate>Sat, 18 May 2013 12:40:02 -0400</lastBuildDate>
<docs>http://blogs.law.harvard.edu/tech/rss</docs>
<description>Matthew Gurewitsch :: Writings</description>
<link>http://www.beyondcriticism.com</link>
<title>Matthew Gurewitsch :: Writings</title>
<managingEditor>matthew@beyondcriticism.com (Matthew Gurewitsch)</managingEditor>
<webMaster>webmaster@pundicity.com</webMaster>
<language>en-us</language>

<item>
<title>A Big Man Still Dreams of the Big Times</title>
<link>http://www.beyondcriticism.com/13317/a-big-man-still-dream-of-the-big-times</link>
<pubDate>Fri, 17 May 2013 09:00:00 EST</pubDate>
<description>Honolulu — "The Blind Side" meets "The Great Caruso." In the spring of 2007, Kiri Te Kanawa, the Maori-descended diva from New Zealand, had been churning out autographs in the Met Opera Shop at Lincoln Center for more than an hour when a slip of paper...</description>
</item>
<item>
<title>His Ukulele Is On Fire</title>
<link>http://www.beyondcriticism.com/13306/his-ukulele-is-on-fire</link>
<pubDate>Fri, 10 May 2013 09:00:00 EST</pubDate>
<description>Maui, Hawaii. Just about anyone can pick up the ukulele and make music in no time, but who ever goes beyond the basics? Historically, the lowly Portuguese-descended cousin of the guitar has served to accompany the vocals of aloha-spirited islanders or...</description>
</item>
<item>
<title>The Solti Legacy</title>
<link>http://www.beyondcriticism.com/13304/coda-the-solti-legacy</link>
<pubDate>Tue, 1 May 2013 09:00:00 EST</pubDate>
<description>Late in life, Georg Solti (1912–97) harbored no illusions about his brand. "Always people want to characterize me as fiery, temperamental," he told me in Salzburg in the summer of 1992. "Now they say I have a lighter touch. I'm an all-around musician....</description>
</item>
<item>
<title>Review of On DVD - Daniel Catán's Il Postino</title>
<link>http://www.beyondcriticism.com/13173/on-dvd-daniel-catan-il-postino</link>
<pubDate>Sun, 1 Apr 2013 09:00:00 EST</pubDate>
<description>What is the sound of two hands clapping? Bad news, as Plácido Domingo must have known the moment he finished his first big sing in Il Postino. Adapted from Michael Radford's international hit film of 1994, the late Daniel Catán's fifth and final work for...</description>
</item>
<item>
<title>Gone Today, Here Tomorrow? Pirgu's Romeo</title>
<link>http://www.beyondcriticism.com/13050/gone-today-here-tomorrow-pirgu-romeo</link>
<pubDate>Tue, 12 Mar 2013 09:00:00 EST</pubDate>
<description>The manuscript of my recent profile of the Albanian tenor Saimir Pirgu in the New York Times carried a San Francisco dateline, which one of my editors very sensibly suggested we remove. True, my interview with the artist had taken place in that city,...</description>
</item>
<item>
<title>Culture shock: Cue kudos for Qurrat Ann Kadwani</title>
<link>http://www.beyondcriticism.com/2013/03/culture-shock-cue-kudos-for-qurrat-ann-kadwani</link>
<pubDate>Mon, 11 Mar 2013 23:01:05 EST</pubDate>
<description>A Muslim couple from India pulls up stakes and moves to New York in search of opportunity for the next generation. But do they settle among compatriots in Queens? No. They land in the Bronx, where blacks and HIspanics are taking over from whites in full...</description>
</item>
<item>
<title>Tenor from the Dark Side of the Moon (Saimir Pirgu)</title>
<link>http://www.beyondcriticism.com/13045/tenor-from-the-dark-side-of-the-moon-saimir-pirgu</link>
<pubDate>Fri, 8 Mar 2013 09:00:00 EST</pubDate>
<description>"This is the house of God. You can't turn me away." Admittedly, the language is reconstructed and from a foreign tongue, but the facts are the facts. In September 2000, in Bolzano, at the southern foot of the Dolomites in the Italian Tirol, Saimir Pirgu,...</description>
</item>
<item>
<title>Britten's Turn of the Screw from Glyndebourne</title>
<link>http://www.beyondcriticism.com/13062/a-glyndebourne-turn-of-the-screw</link>
<pubDate>Fri, 1 Mar 2013 09:00:00 EST</pubDate>
<description>Miah Persson, Susan Bickley, Giselle Allen; Toby Spence; London Philharmonic Orchestra, Jakub Hrůša. Production: Jonathan Kent. FRA Musica FRA 507 (Blu-ray) or FRA 007 (DVD), 111 mins. (opera), 22 mins. (bonus), subtitled The Turn of the Screw unfolds at...</description>
</item>
<item>
<title>The Performance I Can't Forget</title>
<link>http://www.beyondcriticism.com/13101/the-performance-i-cant-forget</link>
<pubDate>Thu, 1 Mar 2013 09:00:00 EST</pubDate>
<description>In conversation, performing artists of every stripe keep telling us how vital a role we play as spectators. But how rarely they let us know whether we have played our roles well or badly? When they do, it may be worth connecting the dots. The first time...</description>
</item>
<item>
<title>Les Miz in Reel Time</title>
<link>http://www.beyondcriticism.com/2013/01/les-miz-in-reel-time</link>
<pubDate>Mon, 7 Jan 2013 22:36:00 EST</pubDate>
<description>So the cast of Les Misérables sang live, to the accompaniment of an off-camera piano piped into their ears? You could have fooled me. The memo arrived only after I saw the movie. As I watched, it had never crossed my mind that the actors were not...</description>
</item>
<item>
<title>Esprit de l'escalier (Tosca)</title>
<link>http://www.beyondcriticism.com/2013/01/esprit-de-lescalier-tosca</link>
<pubDate>Sun, 6 Jan 2013 22:04:44 EST</pubDate>
<description>"Happy are they that hear their detractions and can put them to mending," says Benedick in Much Ado About Nothing. Yes, but sometimes we must do our own detracting. Yesterday, with some misgivings, I posted my recent Opera News review of the current...</description>
</item>
<item>
<title>Review of Tosca (Giacomo Puccini)</title>
<link>http://www.beyondcriticism.com/12739/tosca-giacomo-puccini</link>
<pubDate>Sat, 5 Jan 2013 09:00:00 EST</pubDate>
<description>Angela Gheorghiu; Jonas Kaufmann, Bryn Terfel; Royal Opera Chorus, Orchestra of the Royal Opera House, Antonio Pappano. Production: Jonathan Kent. EMI Classics 4 04063 9, 120 mins. (opera), 8 mins. (bonus), subtitled In 2006, Jonathan Kent was charged...</description>
</item>
<item>
<title>Wotan's Revenge</title>
<link>http://www.beyondcriticism.com/12453/wotan-revenge</link>
<pubDate>Mon, 22 Oct 2012 09:00:00 EST</pubDate>
<description>A wild and crazy Ring at the Metropolitan Opera, where the shelf life of such blockbusters is measured in decades—who in his right mind could have dreamt of such a thing? Nothing wears off faster than the shock of the new. The eminently sensible mandate...</description>
</item>
<item>
<title>CAVALLI: Giasone</title>
<link>http://www.beyondcriticism.com/12318/cavalli-giasone</link>
<pubDate>Sat, 22 Sep 2012 09:00:00 EST</pubDate>
<description>The career of Francesco Cavalli (1602–76) falls squarely between those of Claudio Monteverdi (1567–1643), the founding giant of opera, and George Frideric Handel (1685–1759), the second giant. Yet in the judgment of his contemporaries, Cavalli reigned...</description>
</item>
<item>
<title>SCIARRINO: Luci Mie Traditrici</title>
<link>http://www.beyondcriticism.com/12317/sciarrino-luci-mie-traditrici</link>
<pubDate>Fri, 1 Sep 2012 09:00:00 EST</pubDate>
<description>The Renaissance princeling Carlo Gesualdo, prized in our time for the daring chromatics of his blazing madrigals, was notorious in his own time for the slaughter of his wife and her lover in flagrante. An almost exact contemporary of Shakespeare's, he...</description>
</item>

</channel>
</rss>